Yee I-Lann


ABOUT THE ARTIST

Yee I-Lann’s primarily photomedia-based practice engages with archipelagic Southeast Asia’s turbulent history, addressing, with wit and humanity, the socio-political impact of current politics, neo-colonialism, and globalization. Her recent exhibition of new works, Like the Banana Tree at the Gate (April 28 – June 17, 2016), took inspiration from two motifs that are iconic in her native Malaysia and throughout Southeast Asia: the ubiquitous banana tree; and the pontianak, a vengeful female spirit with long black hair who is sometimes said to reside in that plant. With a series of her characteristic digital photocollage works, along with a three-channel video, Yee captures the potency of female power derived from local knowledge and folkloric traditions, reframing it in a contemporary context informed by an active socio-political engagement. She conflates legendary tales with the memory of mid-twentieth century feminist movements such as Indonesia’s Gerwani organization, which gained enormous popularity in the 1950s and ‘60s before being suppressed by the military. The exhibition’s title references a 17th century sultan in southern Borneo who advised his subjects not to plant a banana tree near their front gates so as not to advertise their wealth to potential colonial exploiters. This story is cited as an example of an early form of anti-colonial resistance in Michael Dove’s academic study, The Banana Tree at the Gate: A History of Marginal Peoples and Global Markets in Borneo. “The pontianak continues to haunt us in 21st century patriarchal Southeast Asia,” Yee explains. “She is the woman standing at the gate like the banana tree in full view. She is potential and power and resource. A banana plant lives only briefly, bearing just one bunch of fruit before it dies. Its root structure, however, grows a new plant immediately – and so the cycle continues, ever present with a memory of the past.”

Born in 1971 in Kota Kinabalu, capital of Malaysia’s northern Borneo province of Sabah, Yee received her BA in Visual Arts from the University of South Australia, Adelaide, in 1993. Now based in Malaysia’s capital city, Kuala Lumpur, she has established herself over the past 20 years as one of the region’s leading contemporary artists, known for her digital photocollage series that deftly employ a complex, multi-layered visual vocabulary drawn from historical references, popular culture, archives, and everyday objects – works that speculate on issues of culture, power, and the role of historical memory in social experience, often with particular focus on themes and motifs that reference the indigenous cultures of Borneo. Yee has exhibited widely in museums and biennials around the world. Selected highlights include: the Asia-Pacific Triennial of Contemporary Art, Brisbane, Australia (2015 and 1999); the Jakarta Biennale, Indonesia (2015); The Roving Eye, ARTER Space for Art, Istanbul, Turkey (2014-15); Finding your place in the world: Asian photomedia, at the National Gallery of Australia, Canberra (2014); Afterimage: Contemporary Photography from Southeast Asia, Singapore Art Museum (2014-15); Suspended Histories, Museum Van Loon, Amsterdam, the Netherlands (2013-14); Contemporary Commonwealth, National Gallery of Victoria, Melbourne, Australia (2006); the Singapore Biennale (2006); Thermocline of Art: New Asian Waves, ZKM I Museum of Contemporary Art, Karlsruhe, Germany (2007); and the Fukuoka Asian Art Triennale, Fukuoka, Japan (2009).Fluid World, a solo exhibition surveying her major works to date, was presented at Adelaide’s Contemporary Art Centre of South Australia in 2011. She was a member of the curatorial team for the 2013 Singapore Biennale.

Like the Banana Tree at the Gate (2016)

ENLARGE

Ghost in the Banana Tree, 2016

Giclée print on Hahnemühle Photo Rag® paper

238 pieces, each 10 ½ x 5 ¾ in. (27 x 14.5 cm); full installation 42 ¼ x 374 in. (107.5 x 950 cm), edition of 3 + 1 AP

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Ghost in the Banana Tree, detail, 2016

Giclée print on Hahnemühle Photo Rag® paper

238 pieces, each 10 ½ x 5 ¾ in. (27 x 14.5 cm); full installation 42 ¼ x 374 in. (107.5 x 950 cm), edition of 3 + 1 AP

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Landscape, 2016

Giclée print on Hahnemühle Photo Rag® paper

19 ½ x 66 in. (50 x 168 cm), edition of 8 + 1 AP

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Conference Series, 2016

Giclée print on Hahnemühle Photo Rag® paper

three panels, edition of 8 + 1 AP

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Conference: Panel 1, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 48 ¼ in. (61 x 122.5 cm)

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Conference: Panel 2, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 83 ¼ in. (61 x 211.5 cm)

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Conference: Panel 3, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 66 in. (61 x 168 cm)

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Imagining Pontianak: I’ve Got Sunshine on a Cloudy Day, 2016

three channel video

13:11 min., edition of 3

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Like the Banana Tree at the Gate Series, 2016

Giclée print on Hahnemühle Photo Rag® paper

three panels, edition of 8 + 1 AP

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Like the Banana Tree at the Gate: Ibu or the Beast, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 80 ¾ in. (61 x 205 cm)

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Like the Banana Tree at the Gate: The Flaming Womb, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 91 ¾ in. (61 x 223 cm)

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Like the Banana Tree at the Gate: A Leaf in the Storm, 2016

Giclée print on Hahnemühle Photo Rag® paper

24 x 62 in. (61 x 160 cm)

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Installation View of "Like the Banana Tree at the Gate" at Tyler Rollins Fine Art, April 28 - June 23, 2016

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Installation View of "Like the Banana Tree at the Gate" at Tyler Rollins Fine Art, April 28 - June 23, 2016

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Installation View of "Like the Banana Tree at the Gate" at Tyler Rollins Fine Art, April 28 - June 23, 2016

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Installation View of "Like the Banana Tree at the Gate" at Tyler Rollins Fine Art, April 28 - June 23, 2016

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Installation View of "Like the Banana Tree at the Gate" at Tyler Rollins Fine Art, April 28 - June 23, 2016

Picturing Power Series (2013)

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Picturing Power #1: Wherein one surreptitiously performs reconnaissance to collect views and freeze points of view to be reflective of one's own kind, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 71 in. (63 x 180 cm)

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Picturing Power #2: Wherein one, in the name of knowledge, measures everything, gives it a name and publicizes this thereby claiming it, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 71 in. (63 x 180 cm)

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Picturing Power #3: Wherein one nods with political sympathy and says I understand you better than you understand yourself, I'm just here to help you help yourself, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 25 in. (63 x 63 cm)

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Picturing Power #4: Wherein one tables an indexical record of data-turned-assets and rules like the boss you now say that you are, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 71 in. (63 x 180 cm)

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Picturing Power #5: Wherein one claims the hearts and the minds of the innocent and gives them the knowledge that is to be learnt, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 25 in. (63 x 63 cm)

ENLARGE

Picturing Power #6: Wherein one cultivates cultural codes, the noble endeavors of mankind and thereby puts them in their place, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 71 in. (63 x 180 cm)

ENLARGE

Picturing Power #7: Wherein one hands over the ways of seeing loot, land and labor and thereby builds complicity in the exculpation; you are now partners in crime, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 25 in. (63 x 63 cm)

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Picturing Power #8: Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splendid game of one's own jolly adventure, 2013

Giclée print on Hahnemühle Photo Rag® Ultra Smooth Fine Art, 310 gsm 100% cotton rag paper

25 x 35 ½ in. (63 x 90 cm)

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

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Installation View of "The sun will rise in the East and deliver us from this long night" in "Picturing Power" at Tyler Rollins Fine Art, 2012

February 27 - April 12, 2014

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Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

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Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

TABLED Series (2013)

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TABLED (detail of plate #11), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #1), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #2), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #3), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #4), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #5), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #6), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #7), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #8), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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TABLED (detail of plate #9), 2013

ceramic plate with digital decal print

11 in. (28 cm) diameter

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Installation View of "TABLED" at Museum Van Loon, Amsterdam, Netherlands, 2013

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "The sun will rise in the East and deliver us from this long night" in "Picturing Power" at Tyler Rollins Fine Art, 2012

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

The sun will rise in the East and deliver us from this long night Series (2012)

ENLARGE

The sun will rise in the East and deliver us from this long night, 2012

52 C-type prints

8 ¼ x 11 ½ in. (21 x 29 cm) each

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The sun will rise in the East and deliver us from this long night, 2012

52 C-type prints

8 ¼ x 11 ½ in. (21 x 29 cm) each

ENLARGE

The sun will rise in the East and deliver us from this long night, 2012

52 C-type prints

8 ¼ x 11 ½ in. (21 x 29 cm) each

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "The sun will rise in the East and deliver us from this long night" in "Picturing Power" at Tyler Rollins Fine Art, 2012

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

ENLARGE +

Installation View of "Picturing Power" at Tyler Rollins Fine Art

February 27 - April 12, 2014

Orang Besar Series (2010)

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Kain Panjang with Parasitic Kepala, 2010

direct digital mimaki inkjet print with acid dye, batik canting remazol fast salt dyes on 100% silk twill

32 x 71 in. (82 x 180 cm)

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Kain Panjang with Carnivorous Kepala, 2010

direct digital mimaki inkjet print with acid dye, batik canting remazol fast salt dyes on 100% silk twill

32 x 71 in. (82 x 180 cm)

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Kain Panjang with Ptulant Kepala, 2010

direct digital mimaki inkjet print with acid dye, batik canting remazol fast salt dyes on 100% silk twill

32 x 71 in. (82 x 180 cm)

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Empires of Privateers and Their Glorious Ventures, 2010

direct digital mimaki inkjet print with acid dye, batik chop remazol fast salt dyes on 100% silk twill

32 x 95 in. (80 x 240 cm)

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Fluid World, 2010

direct digital mimaki inkjet print with acid dye, batik crackle Japanese Ai natural indigo dye on 100% silk twill

45 x 82 in. (116 x 210 cm)

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A Rousing Account of Migration in the Language of the Sea, 2010

digital c-type print

24 x 24 in. (61 x 61 cm) each, triptych

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The Great Game of Congkak, 2010

digital c-type print

20 x 59 in. (50 x 150 cm)

YB Series (2010)

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YB No. 1, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 2, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 3, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 4, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 5, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 6, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 7, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 8, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 9, 2010

14 x 10 in. (35 x 26 cm)

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YB No. 10, 2010

14 x 10 in. (35 x 26 cm)

Study of Lamprey’s Malayan Male (2009)

Study of Lamprey's Malayan Male, 2009

black and white digital print on Kodak Endura paper

23 ½ x 16 ½ in. (60 x 42 cm)

Kinabalu Series (2007)

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Huminudon, 2007

digital c-type print

41 ¾ x 80 ¾ in. (106 x 205 cm)

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Anak Negeri, 2007

digital c-type print

41 ¾ x 80 ¾ in. (106 x 205 cm)

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Kopivosian, 2007

digital c-type print

41 ¾ x 80 ¾ in. (106 x 205 cm)

Kerbau (2007)

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Kerbau, 2007

PVC tarpaulin

25 x 110 in. (63 x 280 cm)

Sulu Stories Series (2005)

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Awn Hambuuk Sultan, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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Barangay, 2005

digital c-type print

24 x 72 in. (61 x 183 cm)

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The Archipelago, 2005

digital c-type print

24 x 72 in. (61 x 183 cm)

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Map

digital c-type print

24 x 48 in. (61 x 122 cm)

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Borderline, 2005

digital c-type print

24 x 48 in. (61 x 122 cm)

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Sarung, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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Shell, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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Sarang, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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Landmark, 2005

digital c-type print

24 x 72 in. (61 x 183 cm)

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Song of the Keris, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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High Noon, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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Brothers in Arms, 2005

digital c-type print

24 x 24 in. (61 x 61 cm)

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The Ch'ilin of Calauit

digital c-type print

24 x 24 in. (61 x 61 cm)

Horizon Series (2003)

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Welcome, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Lagenda, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Fencing, 2003

black and white digital print on Kodak Endura paper

18 x 36 in. (45 x 91 cm)

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Baju Kurung, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Tanah Lahir, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Ke Puncak, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Wawasan, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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In the Palm of Patrajaya, 2003

black and white digital print on Kodak Endura paper

18 x 72 in. (45 x 183 cm)

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Haus, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Flat, 2003

black and white digital print on Kodak Endura paper

18 x 72 in. (45 x 183 cm)

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Anak Kinabalu, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Laying 2 Putus Tali, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Pohon, 2003

black and white digital print on Kodak Endura paper

18 x 90 in. (45 x 228 cm)

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Putar Alam, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Malaysian Dilemma, 2003

black and white digital print on Kodak Endura paper

18 x 36 in. (45 x 91 cm)

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Billboard, 2003

black and white digital print on Kodak Endura paper

18 x 18 in. (45 x 45 cm)

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Horizon, 2003

black and white digital print on Kodak Endura paper

36 x 72 in. (91 x 183 cm)

Malaysiana Series (2002)

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Rakan Muda, 2002

digital c-type print

23 2/3 x 48 1/4 in. (60 x 120 cm)

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Tempat Duduk, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

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Hari Jadi, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

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Member Member, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

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Menuju Kejayaan, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

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Bersatu Padu, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

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Kerana Mu, 2002

digital c-type print

65 x 45 in. (165 x 114 cm)

Through Rose Coloured Glasses (2002)

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Through Rose Coloured Glasses 3, Full Installation, 2013

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Through Rose Coloured Glasses 3, Panels 1-4, 2013

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Through Rose Coloured Glasses 3, Panels 5-8, 2013

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Through Rose Coloured Glasses 3, Panels 9-12, 2013

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Through Rose Coloured Glasses 3, Panels 13-16, 2013

Installation View of "Through Rose Coloured Glasses 1, 2002

Detail of "Rose Coloured Glasses 1," 2002

Installation View of "Through Rose Coloured Glases 1," 2002

Detail of "Through Rose Coloured Glasses 1," 2002

Matching Patterns (2002)

Matching Patterns, Installation 1, 2002

Matching Patterns, Installation 2, 2002

Matching Patterns, Installation 3, 2002

Matching Patterns, Installation 4, 2002

Matching Patterns, Installation 5, 2002

Matching Patterns, Installation 6, 2002

Matching Patterns, Installation 7, 2002

Matching Patterns, Installation 8, 2002

Spacebar-Snapshot (1998)

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Installation of "Spacebar-Snapshot," 1998

Detail of "Spacebar-Snapshot," 1998

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Detail of "Spacebar-Snapshot," 1998

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Detail of "Spacebar-Snapshot," 1998


WORKS

Like the Banana Tree at the Gate (2016)

Picturing Power Series (2013)

TABLED Series (2013)

The sun will rise in the East and deliver us from this long night Series (2012)

Orang Besar Series (2010)

YB Series (2010)

Study of Lamprey’s Malayan Male (2009)

Kinabalu Series (2007)

Kerbau (2007)

Sulu Stories Series (2005)

Horizon Series (2003)

Malaysiana Series (2002)

Through Rose Coloured Glasses (2002)

Matching Patterns (2002)

Spacebar-Snapshot (1998)

Artist and Empire

February, 2017


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MalayMail Online, Yee I-Lann

June, 2016


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Artforum, Yee I-Lann

June, 2016


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Art Radar, Legends, ghosts and feminism

June, 2016


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Musee, Yee I-Lann at Tyler Rollins Fine Art

May, 2016


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Jakarta Biennale 2015

2015


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The Culture Trip, Malaysia’s 10 Best Contemporary Artists

October, 2014


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Asian Art News, Picturing Power

2014


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Bird, Yee I-Lann

2014


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The New York Times, Yee I-Lann ‘Picturing Power’

April, 2014


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Daily Serving, Yee I-Lann: Picturing Power

April, 2014


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Contemporary Photography in Asia, Yee I-Lann

2013


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Suspended Histories, Yee I-Lann

2013


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Encounter, Yee I-Lann

2012


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Imagining Identities, Love Me in My Batik

2012


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Negotiating Home History and Nation, Yee I-Lann

2011


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Asian Art Biennial, Meditation

2011


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Lucida, Review Yee I-Lann: Fluid World

April, 2011


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C-Arts, High Seas of Resistance

2010


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Fukuoka Asian Art Triennale, Yee I-Lann

2009


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Thermocline of Art, Yee I-Lann

2007


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Out of the Mould, Yee I-Lann

2007


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Singapore Biennale, Belief

2006


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Petronas Art Collection, Yee I-Lann

2005


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Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art

1999


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